Recent studio pieces, shown to demonstrate technique. Any of them can be painted to your size and palette, or used as a starting point for your own design.
Flowers built petal by petal with a palette knife, so each one stands off the canvas. Works for cascading botanicals, loose bouquets and dense garden scenes, in soft neutrals or saturated color.
Modeling paste, sand and crystal grit layered under color. The surface catches light and changes as you walk past it, which is why it reads well in lobbies and corridors.
Gold, silver or copper leaf laid into a textured, layered ground. Quiet neutrals with a few points of light, easy to place across a whole guest-room program.
Broad knife strokes and scraped layers in a set palette. Easy to retune: the same composition can be painted in your client's rust, navy or sage.
Plaster-like white grounds with flat color blocks and a single drawn line. Restrained enough for Japandi and modern organic interiors.
Fast, repeated brush marks on a solid ground. Graphic from across the room, with dry-brush grain up close.
Mountains, water and trees with soft atmospheric depth and knife-textured highlights. Suited to resort and lodge projects that want a sense of place.
Choose per piece. High-relief textures ship stretched so the surface arrives intact.
Painted canvas with extra border for stretching, rolled paint-side out in a rigid tube. The lowest freight cost and the easiest to ship to a job site.
On wood stretcher bars with painted edges and hanging hardware. Required for high-relief and mixed-media work.
Floater frames in black, white, natural wood or metallic finishes, as in two of the pieces above.